Friday, April 30, 2010

Shooting crap

Everybody has an off day once in a while. All photographers pro and amateur alike shoot crap. Lots of crap.

Over the last month I shot pretty much an entire crap-roll on expired C-41 process Black and White film.

I dont know if it was the gear or if I just wasn't paying attention, but most of my photos turned out blown out, blurry and just crappy in general. Some were partially salvageable, but looking through these photos was a fantastically humbling experience. It actually feels good to shoot crap once in a while, as long as there's no client to be disappointed.

Here are the three that don't hurt (too bad) to look at, after some considerable work in PS and Aperture.

Easily my favorite


botched the focus...


texture/reflection

I overexposed a solid 75% of the roll, screwed the focus on about 20%, and generally got terrible pictures. Granted, I shot using expired film, but that's no excuse - I've gotten great results out of ancient film before.

Luckily I didn't pay much for either the film or the development/processing. I guess I paid $4 for a few rolls of film. Processing and 26mb scans at Sams Club was a whopping $2.78. Those are monster scans for super cheap. Especially compared to what Mike's Camera, the shop I *used* to go to in Boulder, charges for the same thing (minimum $15).

That's all for now! Sorry about the Blog Lite around here - finals are approaching quickly and I only have so many hours in a day to procrastinate study...

Wednesday, April 28, 2010

Aperture 3


I've been using Aperture 3 for a couple weeks now. It has its ups and downs but overall I am very pleased with it.

First some background on my machine. I'm using a Macbook Pro, 2.2ghz with just 2gb of ram. It lives connected to an external 22" monitor.

I've used all three versions of Aperture that have been out, and third time appears to be the charm.

While I didn't mind using either of the previous versions, they lacked some features of Lightroom and Bridge that I *really* like. Aperture 3 makes up for these shortcomings for the most part.

So, you fire up Aperture 3 and load your library and here's what you get:


An alphabetical listing of the projects and folders in your library. Not bad.

Most everything remains unchanged from previous versions. I turned off the Face Recognition because I keyword all my images with the people who are in them. I turned off the feature that shares the Aperture library info with the rest of iLife because its worthless and because it adds a minute or so to the shut-down time of the software. Now when I tell Aperture to quit, it quits. Instantly. No screwing around.

For the most part, Aperture 3 is snappier than previous versions. Open and shut down are quicker, moving from Full Screen to Normal viewing modes is faster. Bringing up the HUD and Keyword windows are faster as well. It's worth mentioning that NONE of my images are stored in the Aperture Library. I am far too much of a control freak for that. My photos live in neatly stacked folders that I organize - Aperture references them. The first thing I did upon loading Aperture 3 was to re-link all my referenced images. In Aperture 2, this had to be done folder by folder. In the new version I could do it a year at a time. I just clicked the "reconnect all" button and watched thousands of photos get re-linked. Awesome!


The new brushes are pretty cool, and definitely worth the upgrade. If you goal is to avoid pushing images into Photoshop though, you're in for a rude awakening. The brushes will do great up until a certain point, after which you need Photoshop. The skin healing tools do a better job than in Aperture 2, though they are still slower than CS4 by a long shot. If you mess up, undo takes FOREVER by comparison. Props to Adobe and shame on Apple.

I muchly prefer using the adjustments sliders in Aperture to the adjustment layers in CS4 though. 
Generally I will get a photo as close as I can while still in Aperture before moving into Photoshop.

Example: I got from left (original) to right (nearly finished) all inside Aperture.


Of course, after that I wanted to do some dodging and burning. Aperture did a terrible job of it so I launched into Photoshop and finished the image there. This is all well and good because all my finished pass through photoshop and DR. Browns 1-2-3 process anyway. It isn't a question of whether I will launch PS, but a question of how far I can get in Aperture before I do it. Often the only reason I open PS is to run Dr. Brown through his paces to convert into print and web-ready.

Keywording is a breeze, and Aperture 3 got rid of the bug that would randomly duplicate sub-keywords outside of their keyword group. That annoyed the heck out of me in version 2.

Speaking of Version 2, Aperture 3 still adds a "- version 2" to each of the images you edit. I find this supremely annoying, but my other option is to not create a new version at all. I like being able to see where the photo started while I'm working on it, so stacked "versions" right next to each other is the lesser of two evils. What I would really like to be able to do is choose what text is appended to new versions. I would add a "-1" or "-2" which are part of my file-naming scheme as outlined in THIS post on my workflow. Unfortunately, that is not an option. Oh well. 

Overall, I'm very pleased with Aperture 3. The upgrade was $99 with free (fast) shipping from Amazon. Well worth it.

If you have any questions about the software or how I use it, feel free to drop me a comment below!

Monday, April 26, 2010

Smoking gun...

Shot these the other day with the M4 and my buddy Case.

The original plan had us using his smoke machine, but he was out of fog juice and nobody in Flagstaff carries it during non-halloween season. So we fired up the hookah and I served as the fog machine whilst sucking back far too much Strawberry Margarita shisha.



Light was super simple - one bare SB600 on a stand and the light on the gun just for show.
Next time I'll use the real fog machine... it didn't take long for me to start shaking due to nicotine intake and/or lack of oxygen. Some people have to learn things the hard way, I guess.

I used this shoot as a comparison between Aperture 3 and Photoshop CS4 in terms of in-depth editing capabilities. In short - Photoshop still takes the gold by a long shot. I'll elaborate a bit more on that in an upcoming post detailing Aperture 3 and what I think about it, hopefully later this week.

I say hopefully because it is "reading week" here on NAU campus, which means we are all drinking studying like crazy to prepare for finals in the first week of May. I have a few finals I expect to be rather difficult and as such we may experience some Blog Lite around here in the coming weeks. Bare with me and hopefully I can get some good content up the weekend following finals.

Have a fantastic Monday!

Thursday, April 22, 2010

Jewelry take 2

Final jewelry projects:

silver and brass




copper


copper

The last cross is the cutout from the bracelet showcased Here

Light setup was the same as last time - the pizza softbox as my only light source and a piece of paper as my seamless backdrop. Photographing small things involves much less production than photographing people.
The bracelet at top is the one commissioned for a paying client - I'm very happy with how it turned out and I had a blast making it - using two or three acetylene torches at the same time is an absolute blast.

Wednesday, April 21, 2010

To Write Love on Her Arms



Check this site : http://www.twloha.com/

Write "Love" on your arms to show support of those suffering from depression.

Tuesday, April 20, 2010

M4 + Amanda

Amanda is one of my roommates and infrequent models. Regular readers of this blog have seen her before - most recently in this post.

On Sunday she put on a bit of a different look than usual and since I happened to have an M4 sitting around, we decided we might as well do a photoshoot with it!





I used the same AB800 lights as the zombie shoot. One in a big softbox and one nuking the white wall behind her. My "studio" is essentially a white cube, with textured white walls and a fairly low ceiling. The light bounced everywhere. I gave up having any control and just went with it.

Not a whole lot of post production on these - a little bit of dirt cleanup on the gun and some light dodging/burning in the shadows.

Little Sadie was wandering around so we dragged her in to model for us as well


I plan on doing another shoot with the M4 this week before it goes back to its owner.

In other news - Wednesday is my birthday (20!) and I will likely take the day off from the blog. I'll be photographing some marketing BS for the sports department in the morning and then going to classes just like any other day.

Have a great Tuesday!



For the record - the subject matter of this post is in no way related to the 4/20/1999 Columbine Shootings, which were an absolute tragedy. 11 years later, Columbine high school still closes on 4/20 - the day that two students chose to murder 12 students and a teacher, wounding 21 others before committing suicide.

Monday, April 19, 2010

iPad: professional tool?

When I first posted about the iPad a couple weeks back, I got a message on Twitter from Darren (@copelandhouse) asking my opinion about the device as a photography business tool.

My answer is that it could be a decent tool, depending on your photography business.

If you live in the studio and want to keep your clients amused - it'll do that
If you want to have your portfolio with you to show potential clients - it'll do that
If you need an instant model release - there's an app for that
If you want to play a slideshow of your photos - it'll do that too

Overall, if I worked in a studio full time, or perhaps if I was a wedding photographer who wanted to be able to whip out a recent wedding or two to show potential clients, I would probably pay the $500 for the 16gb version.

That, unfortunately, is pretty much the extent of what I think the iPad can do as business tool. I prefer writing emails on my blackberry simply because I can stand up and move around while I do it.

If you are a photojournalist or you work a lot on location outside of your studio, I think the iPad won't do a whole bunch for you... but that's just my opinion.

Photogs out there - what has your experience been with the iPad? Did I miss anything huge?